People are our priority.
Design is our approach.
People are our priority.
Design is our approach.
Art and design are a part of a culture's DNA. When we travel to other countries, we spend time taking in their museums and architecture, appreciating their contributions to the world as art, form and function. We are inspired. Even through modernization, a culture never loses its intrinsic creative DNA. These aspects of a society are treasured and praised. They are a visual documentation of a nation's history.
Nepal is a fiercely proud nation. Their daily existence is tightly woven into their history. You cannot walk down a street without seeing a religious artifact, a temple or textile that doesn't somehow tie back to Nepal's heritage. It is a beautiful testimony of the importance of art and design in Nepal's rich history.
MULXIPLY respects this heritage. We seek to honor the raw materials, the resourcefulness, the tradition and the methods. We don't seek to change what doesn't need to be changed. There is beauty in this approach. While it may be slower than factory production, it preserves the story and it honors the maker. We believe in the power of the artisan to solve visual problems. Creative thinking can in turn solve larger problems. In the 10 years we've been working in Nepal, we've seen a reemergence of the creative class with greater honor being given to those who forge a path in the arts. The impact in the local economy is felt from the ground up and future generations of makers are honored as valued contributors to society.
While our designs are modern, our approach is based on capturing the ancient through utilizing artists and the understanding of their craft. In doing so, we aim to create a collection that elevates a unique process guided by a skilled artisan.
Our founder, Tanja Cesh is a designer and her approach to job-creation is rooted in this perspective. While "style" varies wildly worldwide, one thing unifies us -- we all adorn ourselves and our environments. Art, whether functional or fashionable, has a purpose. Humanity has woven, stitched and crafted since the beginning of time. While fashion today has in many cases evolved to be more about one's identity or class-association, at its core it is still largely a functional medium that everyone uses to cover themselves. It's an extension or expression of yourself, your culture and your roots. The same can be said of jewelry and accessories. Whether fashion or function, these items can be traced back to ancient society with the ability to link to a specific culture and therefore identifying as historical artifact.
As we've grown this business, we've largely done so out of observation. Returning year-after-year expands our understanding of Nepal's heritage and roots as an artistic society with textural indigenous craft. Traditionally a village-based society, most women were raised knowing how to weave or sew simple garments to clothe their families. Historically nomadic, yurts were felted from wool from village livestock. Men forged brass and other metals as hardware and artifacts for homes and temples. And in many cases, these skills continue to be passed down from generation to generation.
We aren't looking to reinvent the wheel but rather keep it turning. By utilizing existing techniques and partnering with artisans who have honed skill-sets, we are ensuring their livelihood and that their craft continually cements itself in history.
As modernization occurs world-wide, many of the ancient trades are fading into the past. Because handicraft can be tedious, requiring diligent practice, younger generations aren't choosing to carry-on their ancestor's craft due to alternate interests or opportunity in other fields. Sadly, many are enticed or culturally pressured into working abroad in migrant-worker schemes.
If we view artists as historians, then it goes to follow that if we lose artisans and their craft, we will lose a vital part of history. With this mentality, MULXIPLY is committed to keeping heritage handicraft alive by merging modern design with ancient techniques and in doing so, elevating the artisan as a vital part of society.
Our designs are a blend of what is timeless and trending. We believe in creating pieces that will be worn for years to come and for generations after that. Age-old practices ensure that our quality is tested. Our process is intentionally limited to what can be made with the tools and skills available to us in Nepal. Slow fashion means that each of our pieces is formed by hand, one stitch, one cut, one forge at a time.
Down an ancient alleyway in the heart of Kathmandu's Patan Durbar Square lies a bustling open-air metal shop where MULXIPLY's jewelry collection comes to life.
A self-taught master leather craftsman created a family business which feels not only like an art studio but also like a home. Each bag is hand-cut and stitched with care.
80% women-strong, our felting partners are exuberant in both craft and personality. Each of our felted stuffies and slippers is made one-at-a-time by this mighty cooperative.
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